Kevin Rigdon is an Associate Director of Design for the Alley Theatre. For the Alley, he has created scenic, lighting and costume designs for 96 productions, including The Humans, Picasso at the Lapin Agile, Hand to God, The Nether, The Christians, The Foreigner, As You Like It, Good People, November, What We’re Up Against, The Seagull, The Monster at the Door, August: Osage County, A Behanding in Spokane, Intelligence-Slave, Mrs. Mannerly, Our Town, Mauritius, The Unexpected Guest, Underneath the Lintel, The Lieutenant of Inishmore, The Scene, Death on the Nile, The Clean House, Subject to Fits, Orson’s Shadow, The Pillowman, Glengarry Glen Ross, The Crucible, After the Fall, Life X 3,Topdog/Underdog, Proof, The Greeks, Twelfth Night, In the Jungle of Cities, among many others. He has designed the Broadway productions of One Flew Over The Cuckoo’s Nest, The Old Neighborhood, Buried Child, The Rise and Fall of Little Voice, The Song of Jacob Zulu, A Streetcar Named Desire, The Grapes of Wrath, Our Town, Speed-the-Plow, Glengarry Glen Ross, The Caretaker, and Ghetto. His Off-Broadway credits include Oleanna, Distant Fire, Ricky Jay and His 52 Assistants, Orphans, Balm in Gilead, And a Nightingale Sang…, Edmond, and True West. His designs have been seen in the London productions of Waiting for Godot, You Never Can Tell, American Buffalo, The Man Who Came to Dinner, Speed-the-Plow, The Grapes of Wrath, and Orphans. He has designed more than 110 productions for Steppenwolf Theatre in Chicago, and has designed for organizations including The Peter Hall Company, The Kennedy Center, American Repertory Theatre, The Goodman Theatre, The Center Theatre Group, The Festival of Sydney, and The Cameri Theatre of Tel-Aviv, among others. He is the recipient of two Tony Award nominations, two American Theatre Wing Design awards, and seven Joseph Jefferson awards among many others. Kevin is the Moores Professor of Theatre and head of graduate design at the University of Houston.