May 8 - May 31, 2026
After captivating audiences nationwide with Born with Teeth, playwright Liz Duffy Adams returns to the Alley in her thought-provoking world premiere. An isolated advice columnist races the clock to make one last deadline before facing financial ruin. In this existential comedy, we ask ourselves: What will we do when it all becomes too much?
The run time is 1 hours and 30 minutes, with no intermission.
Get a behind-the-scenes look at the design process.
Join us for post-show Alley Chats with the cast and Alley Theatre Artistic Staff.
Dylan Godwin
Alien
Dylan Godwin is a Resident Acting Company Member and recently appeared in Alley Theatre’s Agatha Christie’s The Mirror Crack’d (Chief Inspector Dermot Craddock), Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery (Actor 2), The Glass Menagerie (Tom). National Tour: Fiddler on the Roof. Regional: Born with Teeth (Guthrie Theatre and Asolo Rep); Miller, Mississippi (Dallas Theatre Center); Beauty and the Beast, 110 in the Shade, Reefer Madness, The Music Man, First Date, Bonnie and Clyde, Oliver, Sweet Potato Queens (Theatre Under the Stars); Life Could Be A Dream, AltarBoyz (Stages).
Melissa Molano
Scrittora
Melissa Molano is a Resident Acting Company Member. Recent Alley shows include Agatha Christie’s The Mirror Crack’d, Noël Coward’s Private Lives, The Glass Menagerie, Noises Off, and Agatha Christie’s And Then There Were None. Other previous roles include: The River Bride (Belmira), Man of La Mancha (Antonia), I and You (Caroline), The Book of Maggie (Maggie). She’s also a voice and film actor featured on streaming platforms HiDive, Netflix and Prime. Instagram/X: @melissacmolano.
Liz Duffy Adams
Playwright
Liz Duffy Adams’ play Or, premiered Off Broadway at WP Theater and has been produced over 75 times, including at Magic Theater, Seattle Rep, and Roundhouse Theatre. She’s a New Dramatists alumna and has received an Edgerton Foundation New Play Award, Women of Achievement Award, Lillian Hellman Award, New York Foundation for the Arts Fellowship, Weston Playhouse Music-Theater Award, Massachusetts Cultural Council Fellowship, and the Will Glickman Award. Her Artistic Stamp virtual “play” in letters, Wild Thyme, was nominated for a Drama League Award in 2021.
Her work has also been produced or developed at the Alley Theatre, Contemporary American Theater Festival, Humana Festival, Bay Area Theater Festival, Portland Center Stage, Syracuse Stage, New Georges, Clubbed Thumb, Cutting Ball, Shotgun Players, Greater Boston Stage Company, and Crowded Fire, among others. Other plays include Born with Teeth; Dog Act; The Salonnières; Dear Alien; Wonders of the Invisible World; Buccaneers; Wet or, Isabella the Pirate Queen Enters the Horse Latitude; The Listener; The Reckless Ruthless Brutal Charge of It or, The Train Play; and One Big Lie.
Publications include Or, in Smith & Kraus’ “Best Plays Of 2010;” Dog Act in “Geek Theater,” Underwords Press 2014; Poodle With Guitar And Dark Glasses in Applause’s “Best American Short Plays 2000-2001;” and several plays in acting editions by Playscripts, Inc. and Dramatists Play Service. Adams’ portrait appears in Sally Davies’ collection, New Yorkers (Ammonite Press 2021).
Adams has an MFA from Yale School of Drama and a BFA from New York University and was the 2012–2013 Briggs-Copeland Visiting Lecturer in Playwriting at Harvard University. She has dual Irish and American citizenship and lives in New York City, on land that once belonged to the Lanape, and in Western Mass on unceded Pocumtuc and Nipmuc land.