March 6 - March 29, 2026
This timeless comedy follows two British bachelors who invent alter egos to outwit society and find love. As their deception unravels, chaos and hilarity ensue. Experience mistaken identities, secret loves, and sparkling satire in one of Oscar Wilde's most celebrated works.
The run time is 2 hours and 30 minutes, including one intermission.
Join us for a night where theatre and pride take center stage!
Get a behind-the-scenes look at the design process.
Join us for post-show Alley Chats with the cast and Alley Theatre Artistic Staff.
Elizabeth Bunch
Miss Prism
Agatha Christie’s The Mirror Crack’d is Elizabeth’s 100th Alley Theatre production. She feels so lucky and so grateful. Thank you to all the brilliant Alley Artists that built and maintain this theater and its reputation. And thanks to you for valuing live theater.
Dylan Godwin
Algernon Moncrieff
Dylan Godwin is a Resident Acting Company Member and recently appeared in Alley Theatre’s Agatha Christie’s The Mirror Crack’d (Chief Inspector Dermot Craddock), Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery (Actor 2), The Glass Menagerie (Tom). National Tour: Fiddler on the Roof. Regional: Born with Teeth (Guthrie Theatre and Asolo Rep); Miller, Mississippi (Dallas Theatre Center); Beauty and the Beast, 110 in the Shade, Reefer Madness, The Music Man, First Date, Bonnie and Clyde, Oliver, Sweet Potato Queens (Theatre Under the Stars); Life Could Be A Dream, AltarBoyz (Stages).
Chris Hutchison
Merriman
Chris Hutchison The Da Vinci Code marks my 100th Alley production since appearing in Proof in 2004. Here is to all the artists past and present I have had the good fortune to work with. Thanks to the Board and Artistic Director Rob Melrose for believing in me and the idea of a Resident Company. Love to Elizabeth Bunch, my partner on- and off stage. My greatest thanks though, are to YOU-our Alley audience-that has so warmly welcomed me for all these years. I am so grateful.
Melissa Molano
Cecily Cardew
Melissa Molano is a Resident Acting Company Member. Recent Alley shows include Agatha Christie’s The Mirror Crack’d, Noël Coward’s Private Lives, The Glass Menagerie, Noises Off, and Agatha Christie’s And Then There Were None. Other previous roles include: The River Bride (Belmira), Man of La Mancha (Antonia), I and You (Caroline), The Book of Maggie (Maggie). She’s also a voice and film actor featured on streaming platforms HiDive, Netflix and Prime. Instagram/X: @melissacmolano.
Christopher Salazar
John Worthing
Christopher Salazar is a Resident Acting Company Member. Alley Theatre credits include Seared, Agatha Christie’s The Murder of Roger Ackroyd, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Noises Off, Thornton Wilder’s The Emporium, and The Servant of Two Masters. Select regional credits include: three seasons with the Oregon Shakespeare Festival, and the world premieres of The Copper Children, The Way the Mountain Moved, and Off the Rails; 11 productions at The Old Globe. On TV: Robert Torres on Jane, The Virgin. MFA: Old Globe Theatre/ USD, BA: UNC-Chapel Hill. Love always to Amy.
Rob Melrose
Director
Rob Melrose is the Artistic Director of Alley Theatre where he has directed productions of The Glass Menagerie, The Janeiad, Thornton Wilder’s The Emporium, Pictures from Home, The Servant of Two Masters, Born with Teeth, Sweat, The Winter’s Tale, 1984, and Agatha Christie’s Murder on the Orient Express and adapted and directed A Christmas Carol. He was formerly the Artistic Director and co-founder of the Cutting Ball Theater. He has directed at The Public Theater, The Guthrie Theater, Asolo Repertory Theatre, The Oregon Shakespeare Festival, Magic Theatre, The Old Globe, PlayMakers Rep, Black Box Theatre, as well as Actors’ Collective, The Gamm Theatre, and Crowded Fire, among others. He has taught at Stanford University, UC Berkeley, USF, the University of Rhode Island, and Marin Academy. He has a BA in English and Theater from Princeton University and an MFA in directing from the Yale School of Drama. Rob directed Strindberg’s Svarta Handsken (The Black Glove) in Stockholm, Sweden at Strindberg’s Intimate Theater. His translations of Woyzeck, Ubu Roi, and Pelleas & Melisande have been published by EXIT Press. He has written a number of plays including: Helen of Troy, The Flat Earth, Divorsosaurus, When Human Voices Wake Us, Asylum, and Serpentyne and has written a rock musical adaptation of L. Frank Baum’s Ozma of Oz.
.