June 20, 2026
Join us for a staged reading of August Wilson’s Joe Turner’s Come and Gone, presented as part of an Our Town award from the National Endowment for the Arts.
Set in a Pittsburgh boarding house in 1911, the play follows Herald Loomis, a man searching for his wife and rebuilding his life after years of forced labor under Joe Turner. As Loomis encounters a vivid community of travelers, workers, dreamers, and seekers, Wilson paints a powerful portrait of Black life after Emancipation, filled with humor, music, memory, and spiritual longing. Directed by Steve Scott, this special reading brings one of Wilson’s most moving works to life in collaboration with The Ensemble Theatre, Rutherford B. H. Yates Museum, and the City of Houston.
This reading is supported by an Our Town award from the National Endowment for the Arts (NEA).
Elia Adams
Elia Adams is a Houston-based actor and musician making his first appearance with The Alley Theatre. A 2019 YoungArts winner in Theatre, his stage credits include Choir Boy (AJ), Beatbox: A Rapperetta (Tet), Camp Logan (Hardin), and Jack and the Beanstalk: Hip Hop! (Jack) with The Ensemble Theatre. Additional credits include Super Freak: Because of Rick James and 8 Notes to Heaven (Prince), with 1989 Dreams and Vincent Victoria, and Transparency Houston (Jay). Adams also served as a swing for the touring production Black Boys Cry (1989 Dreams). Grounded in storytelling through both acting and music, Adams approaches his craft with intention, discipline, and curiosity. He continues to develop his artistic voice while pursuing excellence both onstage and beyond.
Chase G. Alexander
Chase G. Alexander is an actor, writer and director. Select credits include: The Wiz (Houston Center Stage Theatre), Hairspray (Applause Theatre), Origin of a Jealous Woman (MATCH), Disaster Relief (48 Hr. Film Project: Audience Award Winner) and Bracketbrain (ESPN Commercial). He’s excited to return to his theater roots!
Alric Davis
Alric Davisis the Founding Artistic Director of The Sankofa Collective. B.F.A. Howard University Acting credits: The Three Musketeers, The Color Purple, Phenomenal Woman: Maya Angelou, Trouble in Mind, Alley Theatre’s Guardian of the Gods performed in Sweden, Turkiye and America with Unga Klara. Directing credits include Lotus and the Unlikely Crew (Off-Broadway at A.R.T.), Sister Act, and The Light in The Piazza. His play Bashful and the Noize for the Kennedy Center. Upcoming: A Streetcar Named Desire for Sankofa Collectice. IG: @GodisGodandIamNot
Foster Davis
Foster Davis The Ensemble Theatre – The Lawsons, Love and Southern Discomfort, Phenomenal Woman, Camp Logan. Other recent local credits: Stages & Main Street Theater. Off-Broadway/New York: Classic Stage, Cherry Lane, Irish-Arts Center, McGinn-Cazale Theater. London: New Globe, Brixton Shaw. Edinburgh Fringe – True West @ The Zoo. Regional: American Shakespeare Center, Utah Shakespeare Festival.
Michelle Elaine
Michelle Elaine is a Resident Acting Company Member. Michelle originated the role of Miss Scarlet in the First National Tour of Clue: A New Comedy. Favorite Alley Theatre credits: Agatha Christie’s The Mirror Crack’d, Primary Trust, Noises Off, A Christmas Carol, Clue, Dead Man’s Cell Phone, Sense and Sensibility, Sweat, and Quack. Michelle was awarded the Houston Press Awards Best Supporting Actress for her role as the title character in Clyde’s at The Ensemble Theatre. Stages: POTUS. Check out Michelle’s web series @castmedammit on YouTube! @michelleelaineofficial
Timothy Eric
Timothy Eric very recently performed in the Alley Theatre’s production of Fences. Other highlights include Main Street Theatre’s productions of Purlie Victorious and Stagolee & the Funeral of a Dangerous Word [‘23-‘24 Best Actor, HoustonPress.com], Ensemble Theatre’s The Bluest Eye, and 4th Wall Theatre’s Topdog/Underdog [’24-’25 Best Play, Best Actors, HoustonPress.com].
Shawn Hamilton
Shawn Hamilton has recently starred as Bert Williams at The Illusion Theatre in Minneapolis. He has recently done voice work on Rick and Morty and as Mike on Ninja Kamui both on HBO Max. His movie Trap Door At The Edge Of The Universe can be found on YouTube. He is a proud member of Actors Equity.
Crystal Rae
Crystal Rae is a writer, performer, and puppeteer. Rae’s play Tied was named Best New Play by the Houston Press in 2023 and had an award-winning premiere in NYC in 2025. Rae’s book Harlow’s Harmonica received a Kirkus starred review. She directed the film Making Elijah, now in post. www.crystalraeproductions.com
David Rainey
David Rainey is in his 25th season as a Resident Acting Company Member and his 106th production for the Alley. He’s also performed on Broadway with The National Actors Theatre, and nationally with the Guthrie Theater, Steppenwolf Theatre Company, Manhattan Theatre Club, Berkeley Rep, Hartford Stage, Dallas Theater Center, among others. He received the Juilliard Drama Division’s highest honor, the Michel and Suria Saint-Denis Prize, and he also owns Studio for Actors Houston.
Raven Justine Troup
Raven Justine Troupe is excited to be participating in another production with the Alley Theatre! Previous Alley credits include: Thornton Wilder’s The Emporium (Laurencia), Seascape (Sarah); Amerikin (Chris); A Christmas Carol (Belle/Mrs. Fred), Sophia (Xerxes, Alley All New Festival 2019), and Skeleton Crew (Assistant Director). Other credits: Sanctuary City (4th Wall Theatre Co); Rent, Mary Poppins, The Little Mermaid, Sister Act, Elf the Musical, Spring Awakening, Seussical the Musical, Mamma Mia, The Wiz (TUTS); Little Shop Of Horrors (Stages); For Colored Girls… (Obsidian); and Funny Girl (Art Factory).
Krystal Uchem
Krystal Uchem is a Houston native, born and raised on the southwest side of Alief. She was recently named one of Houston’s top rising actors by the Houston Press. Her favorite stage credits include: Purlie Victorious, The Piano Lesson, The Legend of Georgia McBride, Permanent Collection, Pipeline, and School Girls; Or, The African Mean Girls Play.
Yunina Barbour-Payne
Yunina Barbour-Payne is an interdisciplinary artist and Rising Scholar at the University of Virginia in the Department of Drama. Her dramaturgy credits include Blood at the Root (Live Arts), En Route (Bates College), Sheepdog and Babel for The Contemporary American Theatre Festival. Additionally, she is the company dramaturg with Gesel Mason Performance Project’s Yes AND, a dance-based collection of performance experiments that centers Black womanhood in its creative process.
Curmira A. Bill
Curmira A. Bill Stage management credits include: Main Street Theater for Youth: (Stage Manager) Elephant and Piggie’s “We’re In A Play”, Click, Clack, Moo: Cows That Type, Cinderella, Last Stop on Market Street, Dragons Love Tacos, The Watsons Go to Birmingham – 1963, A Little House Christmas; Ensemble Theatre/Alley Theatre: (Stage Manager) Radio Golf (Staged Reading); Ensemble Theatre: (Stage Manager) Pullman Porter Blues, Phenomenal Woman Maya Angelou (Houston Premiere); Lionwoman Productions TX: (Stage Manager) Playhouse Creatures.
Steve Scott
Steve Scott is an award-winning actor, director, producer, and arts educator whose work bridges storytelling, leadership, and community impact. He serves as the Education & Community Outreach Director at The Ensemble Theatre in Houston, where he leads innovative programs that reach thousands of young people annually through theater, education, and creative engagement. Steven received his theatre education from Prairie View A&M University and has performed in more than 60 productions nationwide. He has also appeared in projects for HBO, Netflix, Amazon, VH1, and DreamWorks. As a director and producer, he creates dynamic work that sparks conversation, inspires creativity, and empowers communities to move forward in action.
August Wilson
Playwright
August Wilson (April 27, 1945 – October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street – The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.
August Wilson’s Joe Turner’s Come and Gone is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.
Originally Produced on Broadway By Elliot Martin, Vy Higginsen and Ken Wydro; produced in association with Yale Repertory Theatre (Lloyd Richards, Artistic Director; Benjamin Mordecai, Managing Director); associate producer, Jeffrey Steiner, Kery Davis and Charles Grantham.
World Premiere at Yale Repertory Theatre; Second Production at Huntington Theatre Company (Peter Altman, Producing Director; Michael Maso, Managing Director); Originally presented as a staged reading at the 1984 National Playwrights Conference at the Eugene O’Neill Theatre Center.
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