June 6, 2026
The Midnight Shakespeare Club is a fast-paced, 45-minute touring show created for middle and high schools. Robin and Weaver are desperate to save their beloved Shakespeare Club, but their plans take a Shakespearean turn when some unexpected magic flips everything upside down.
Performed by a dynamic cast of four, this lively and interactive play brings The Bard’s iconic speeches and scenes to life. Perfect as a companion to ELA and Theatre TEKS or as a standalone experience, the show amplifies a range of perspectives on Shakespeare’s work—revealing its brilliance, humor, and enduring relevance.
Recommended for ages 10+.
The performance is approximately 45 minutes with no intermission.
Go beyond the stage with Alley Resourced for deeper insight into the world of the play — designed for classroom teachers but enriching for all.
All families are welcome!
Though The Midnight Shakespeare Club is geared toward students 10 and older, this relaxed performance invites children 6 and up, and is designed to support a comfortable experience for audience members with sensory sensitivities, autism, ADHD, anxiety, or anyone who benefits from a flexible environment.
During the show, you can expect:
• The house lights to stay on.
• No strobe or flashing lighting effects.
• The show contains some loud music. Headphones are recommended for those with auditory sensitivity, and earplugs are available upon request.
• To be free to move, make noise, or step out of the theatre as needed.
• A relaxed area in the lobby with quiet, low-stimulation activities, such as coloring, for anyone who wants a short break.
Please note, the show includes optional moments of audience participation. Everyone is invited to join in or simply enjoy listening – whatever feels right for you.
Content Consideration: Because the production includes playful, theatrical references to Shakespeare’s more dramatic moments, we encourage caregivers to use their discretion. The production includes multiple stylized depictions of characters discussing or reenacting scenes involving battles or murder.
Brendan Bourque-Sheil
Playwright
Playwright
Brendan Bourque-Sheil plays include Sunrise Coven, Dogrose Patrol, The Book of Maggie, Between Two Caves, Secret Menu, and The Sparkle Wars. In Houston, where he’s based, his plays have been produced at Stages Theatre, The Landing Theatre, San Jacinto College South and, coming next season, Main Street Theatre. He’s also been produced in New York City, Chicago, Cincinnati, and Ann Arbor, among other places. For eleven years, he has worked as a teaching artist for Alley Theatre and Houston’s High School of Performing and Visual Arts. He enjoys long walks in graveyards.
Elizabeth Bunch
Text and Performance Coach
Text and Performance Coach
Elizabeth Bunch has appeared in over 100 productions at Alley Theatre. Favorites include Misery, Seared, Noises Off, Little Comedies, Servant of Two Masters, Clue, Dead Man’s Cell Phone, 1984, Constellations, As You Like It, Grounded, Othello, The 39 Steps, Hand to God, Pygmalion, August Osage County, Clybourne Park, Lieutenant of Inishmore, Doubt, Proof, and Who’s Afraid of Virginia Woolf? NYC and Regional: Playwrights Horizons, Guthrie, Denver Center, Bread Loaf Acting Ensemble, Keen Company, and The Flea. @Its_Elizabeth_Bunch
Scott Groh
Scenic & Prop Design
Scenic & Prop Design
Scott Groh is a Properties Manager and Scenic Designer based in Houston, Texas. He is currently the resident Properties Director at the Alley Theatre. Scott has designed scenery, properties, puppets and pyrotechnic special effects for the Alley Theatre (Houston), Walnut Street Theatre (Philadelphia), Baskerville International Tour, ZACH Theatre (Austin), San Jose Repertory Theatre, Tuacahn Amphitheatre (Utah), Seaside Music Theatre (Florida), Colorado Shakespeare Festival (Boulder), and others. Scott is from Northeast Ohio and attended Kent State University.
Matthew Lawrence
Movement Consultant
Movement Consultant
Matthew Lawrence serves as Primary Programs Co-Manager at Alley Theatre. He has worked regionally as an actor and choreographer in California, Washington State, Utah, Oregon, and Texas. His work has been seen with the following companies: PCPA Theatrefest, The 5th Avenue Theatre, The Village Theatre, Oregon Cabaret Theatre, Utah Festival Opera, The Great American Melodrama and Vaudeville, Mainstreet Theatre, and Santa Clarita Regional Theatre. As an educator, he has taught for Village Theatre and various private schools in Seattle Washington. Before joining Alley Theatre’s ECE team, Matthew was the Fine Arts Consultant for the United Way Greater Houston’s Bright Beginnings. His work in the educational field has resulted in four publications in the NAEYC Teaching Young Children Magazine. Matthew holds a Bachelor of Arts degree in child development and family studies from the University of Washington where he was awarded with a certificate of high scholarship. In addition, he holds an artist diploma from PCPA: Pacific Conservatory Theatre.
Ashley Love
Intimacy Coordinator
Intimacy Coordinator
Ashley Love is thrilled to step into the role of Education and Community Engagement Programs Manager. In this role, Ashley will be supporting our ECE programs and will focus on expanding our Alley Articulated program. A theatre artist, educator, and mental health coordinator for the performing arts, Ashley is passionate about building creative, inclusive spaces where people feel seen, supported, and inspired to tell their stories. They bring a blend of artistic experience, community-centered leadership, and a deep commitment to accessibility and wellbeing in the arts. With a background in program management, directing, and arts education, they are passionate about expanding access to theatre and cultivating meaningful partnerships between artists, students, and the wider community.
Christopher Salazar
Text and Performance Coach
Text and Performance Coach
Christopher Salazaris a Resident Acting Company Member. Alley Theatre credits include Seared, The Importance of Being Earnest, Agatha Christie’s The Murder of Roger Ackroyd, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Noises Off, 72 Miles to Go…, and The Servant of Two Masters. Select regional credits include: three seasons with the Oregon Shakespeare Festival, and the world premieres of The Copper Children, The Way the Mountain Moved, and Off the Rails; 11 productions at The Old Globe. On TV: Robert Torres on Jane, The Virgin. MFA: Old Globe Theatre/ USD, BA: UNC-Chapel Hill. Love always to Amy.
Juanita Salazar
Sound Design
Sound Design
Juanita Salazar holds a BFA in Theatre from SHSU. She believes in the power of storytelling and advocates for accessible opportunities for young artists seeking involvement in the arts. J. is currently the Theatre Manager and TD at Duchesne Academy. Some design credits include: Panto Pinocchio, Othello: The Remix, POTUS, ROE, Dream: The Music of the Everly Brothers, You’re a Good Man Charlie Brown, The Prom, and Mother of the Maid. (EQT)
Emily Stovall
Costume Design
Costume Design
Emily Stovall is the Associate Costume Director at the Alley. Previous Costume Design work includes: Brainstormers! (Alley Theatre), Carmen (Utah Festival Opera and Musical Theatre), A Christmas Carol (Kansas City Repertory Theatre), A Moon for the Misbegotten (Kanas City Actors Theatre), Casa Valentina (Spinning Tree Theatre). MFA UMKC Conservatory.
Chaney Tullos
Director
Director
Chaney Tullos serves as the Alley’s Chief Education Programs Officer. Previously, he served as Associate Artistic Director of The New Orleans Shakespeare Festival and was an adjunct faculty member at Tulane University where he taught courses in Acting, Shakespeare, and Stage Management. He has taken shows and programming into countless schools, community centers, and prisons. He holds an MFA in Acting from LSU and is a member of Actors’ Equity and SAG-AFTRA. www.chaneytullos.com