November 28 - December 28, 2025
Join Margot on her Christmas Eve shift, braving grumpy drive-thru customers until her late best friend’s ghost warns her of imminent spirits. Margot confronts her inner Scrooge in this holiday show packed with humor and heart.
The run time is 75 minutes with no intermission.
This warm-hearted comedy contains some language, a brief reference to a sexual situation, and a spirit who smokes marijuana.
Strobe lighting effects, revolving (concert style) lighting, and haze will be used during the performance.
This service can be accessed from any seat location upon checking out a headset device.
Orlando Arriaga
Voices
Orlando Arriaga Noël Coward’s Private Lives, American Mariachi, Sherlock Holmes and The Case of The Jersey Lily, Ken Ludwig’s Lend Me A Soprano, 72 miles to go…, Quixote Nuevo (Alley Theatre). Regional: The Lehman Trilogy (Stages); Romeo Y Juliet (Cal Shakes); The River Bride (Pennsylvania Shakespeare). Film: The Long Game. Recipient of the prestigious Lunt-Fontanne Fellowship.
Elissa Cuellar
Understudy
Elissa Cuellar is thrilled to be returning to Alley Theatre. Elissa has a great soft spot for the people of Houston and the wonderful, complex art that they create, and she cannot wait to continue producing and making magic with the creative community here.
Briana J Resa
Margot
Briana J. Resa is thrilled to be back at Alley Theatre. Alley: Noël Coward’s Private Lives, American Mariachi, What-A-Christmas!, 72 miles to go…, Michael Wilson’s A Christmas Carol. Regional: Wolf at the Door, Much Ado About Nothing (American Players Theatre), Noël Coward’s Private Lives (Arizona Theatre Company). Local credits with: Stages, Main Street, Classical, 4th Wall, TUTS. Briana received the 2020 Houston Press Theatre Award, Best Solo Show. BFA SHSU. @brianaresa
David Arevalo
Costume Design
David Arevalo is a Texas-born costume designer whose work is grounded in collaboration and the transformation of materials. Alley Theatre: The Night Shift Before Christmas, Noël Coward’s Private Lives. Upcoming: Furlough’s Paradise – Geva Theatre; Zapata – ZACH Theatre; Previous (Selected): Aztlan – Magic Theatre; What the Constitution Means to Me – OKC Rep; Riding the Currents of the Wilding Wind – Pregones; Selling Kabul – Northlight Theatre; Don’t Let the Pigeon Sing Up Late! – The Kennedy Center. www.darevalo.com
Jack Beetle
Music Director
Jack Beetle began his professional career as an actor specializing in Shakespeare and musical theatre. This is Jack’s tenth collaboration with the Alley Theatre. Additionally, he has worked locally with the Houston Ballet, Theatre Under the Stars, Stages Repertory Theatre, and Generations: A Theatre Company. An active voice teacher, he maintains a private studio in Houston’s Heights neighborhood and is on faculty at Rice University.
Micha Espinosa
Voice & Dialect Coach
Micha Espinosa is an internationally recognized voice specialist and teaching artist renowned for her work in culturally inclusive pedagogies. Professor at University of Wisconsin- Madison, she has taught across the Americas, Europe, Asia, and Africa. Espinosa is the inaugural Artistic Director for the Fitzmaurice Voice Institute and the award-winning editor of Monologues for Latino Actors: A Resource Guide to the Contemporary Latino/a Playwrights and co-editor for the award-winning Scenes for Latinx Actors and Latinx Actor Training.
Isaac Gómez
Playwright
Isaac Gómez (they/them) is an award-winning Los Angeles based playwright and screenwriter originally from El Paso, Texas/Ciudad Juárez, Mexico. They identify as na’wi – the third gender marker of the Rarámuri, a Mexican indigenous community in northern Chihuahua, of which they’re a direct descendent. Their plays have been produced and/or developed by Lincoln Center, Audible Theater, Steppenwolf Theater Company, Primary Stages, Oregon Shakespeare Festival, Denver Center, Goodman Theatre, Alley Theatre, and many others. They are the recipient of the 2018 Dramatists Guild Lanford Wilson Award, the 2017 Jeffry Melnick New Playwright Award at Primary Stages, an inaugural 3Arts “Make A Wave” grantee. They have two plays published by Samuel French/Concord Theatricals, and have two more being published by Samuel French in 2025 and 2026. They are a certified facilitator of Liz Lerman’s Critical Response Process, mentored by Liz Lerman herself. In the television & film space: credits include writing for the Netflix Original Series Narcos: Mexico, Apple TV’s The Last Thing He Told Me, Paramount Plus’s Joe Pickett, among others. They have had television series and features developed by FX, MRC Entertainment, Focus Features, and others. A proud member of the Writers Guild of America West, Isaac also served as a Strike Captain during the historic 2023 Writers Guild Strike, and was nominated by the union to run for Vice President in 2023. Isaac strives to tell stories that often go untold across all mediums of writing.
Kaylee Sarton Mccray
Stage Manager
Kaylee Sarton McCray returns to Alley Theatre after many other productions, a selection of which include: Dear Alien, English, The Night Shift Before Christmas, The Da Vinci Code, The Glass Menagerie, The Janeiad, Jane Eyre, and Little Comedies. Kaylee has also stage managed at other organizations in Houston such as Houston Symphony, A.D. Players Theatre, and Queensbury Theatre. BFA from Sam Houston State University. Proud member of Actors’ Equity Association.
Kevin Rigdon
Scenic & Lighting Design
Kevin Rigdon has created designs for more than 108 productions for Alley Theatre. He has designed the Broadway productions of One Flew Over The Cuckoo’s Nest, The Grapes of Wrath, A Streetcar Named Desire, Our Town, and many more. He has designed around the world including The West End, Off-Broadway, The National Theatre, and regional theatres. He is the recipient of two Tony Award nominations, two American Theatre Wing Design awards, and seven Joseph Jefferson awards among many others.
Kathy Ruvuna
Sound Design
Kathy Ruvuna The Janeiad, What-A-Christmas!, The Night Shift Before Christmas, Sweat (Alley Theatre); Hot Wing King, Trouble in Mind (Hartford Stage); Pipeline, Radio Golf (Everyman Theatre); Bernarda’s Daughters (New Group); Gooey’s Toxic Aquatic Adventure; Self-Portraits (Deluxe); Dark Disabled Stories (Bushwick Starr); Cold War Choir Practice (Clubbed Thumb); Ni Mi Madre, In the Southern Breeze (Rattlestick Playwrights Theater); Circle Jerk (Fake Friends); Clyde’s, Read to Me (Portland Stage); M.F.A. in Sound Design – Yale School of Drama.
KJ Sanchez
Director
KJ Sanchez has directed five previous productions at Alley Theatre: Noël Coward’s Private Lives, The Night Shift Before Christmas, American Mariachi, Quixote Nuevo, and What-A-Christmas!. She is the founder and CEO of American Records, making theatre that chronicles our time and serves as a bridge between people. KJ has directed across the country, including Off-Broadway at Urban Stages, The Gene Frankel Theatre, and HERE Arts Center. Regionally, she has directed at (select list) Chicago’s The Goodman Theatre, Studio Theatre in DC, The Huntington in Boston, Hartford Stage, Cincinnati Playhouse in the Park, Actors Theatre of Louisville, Baltimore Center Stage, Round House Theatre in Bethesda, and Milwaukee Rep. As a playwright, KJ has been produced across the country and internationally. She is the voice of many characters on the cartoons Dora the Explorer and Go Diego Go. KJ is a Fox Fellow, Douglass Wallop Fellow, MacDowell Fellow, and a recipient of the 2014 Rella Lossy Playwright Award. She is a Professor and Head of the MFA Directing program at the University of Texas at Austin and is the author of The Radical Act of Listening: Making Documentary and Investigative Theatre.