Gregory Boyd - artistic director
Gregory Boyd is the Artistic Director of the Alley Theatre. During his tenure the Alley has risen in national and international prominence, winning the Special Tony Award and experiencing record growth in its Houston audiences, while also transferring its productions to major European Festivals (including two in one season at the Venice Biennale), Broadway, and on tour to 40 American cities. Boyd’s addition of artistic associates has enhanced the Alley’s visibility and reputation worldwide; while his commitment to maintaining a resident company of actors has made the Alley unique among American theatre companies. At the Alley, Mr. Boyd has produced over 100 new productions of the widest ranging repertoire in the country, among them the premieres of Not About Nightingales by Tennessee Williams (Alley, London, Broadway), Jekyll & Hyde, (Alley, National Tour, Broadway), The Civil War (which he also co-authored), Shakespeare’s Roman Plays (with Vanessa and Corin Redgrave); Robert Wilson’s productions of Hamlet, When We Dead Awaken and Danton’s Death (with Richard Thomas); Ellen Burstyn in O’Neill’s Long Day’s Journey Into Night and Tony Kushner’s Angels in America Parts 1 & 2 (both directed by Michael Wilson), premieres by Keith Reddin (Synergy); Eve Ensler (Lemonade); and Alley Artistic Associates Edward Albee (The Play About the Baby), Horton Foote (The Carpetbagger’s Children), Ken Ludwig (The Gershwins’ An American in Paris, Leading Ladies) and Frank Wildhorn (Jekyll & Hyde, Wonderland and The Civil War). At the Alley, he has appeared as an actor in Danton’s Death (Tom Paine) and Cyrano de Bergerac (Cyrano) and directed over 40 productions including: Seagull, Rock ‘n’ Roll, Eurydice, Cyrano de Bergerac, Treasure Island, Subject to Fits, Hitchcock Blonde, Hapgood, The Pillowman, Jekyll & Hyde, Three Sisters, In the Jungle of Cities, After the Fall, The Greeks, One Flew Over the Cuckoo’s Nest, Macbeth, As You Like It, and A Midsummer Night’s Dream. Directing projects outside the Alley have included Our Town at Hartford Stage (Hal Holbrook), Coward’s Design for Living at Williamstown (Marisa Tomei, Campbell Scott, Steven Weber), Stoppard’s Travesties at Long Wharf (Sam Waterston, Tom Hewitt) and the premiere of Pulitzer Prize winner Robert Schenkkan’s Lewis and Clark Reach the Euphrates at the Mark Taper Forum in Los Angeles. Boyd has served as Panelist for the National Endowment for the Arts, the Texas Commission on the Arts and the Massachusetts Council for the Arts. He has taught on the faculties of Carnegie-Mellon, Williams College, the University of Houston, and the University of North Carolina, where he headed the Professional Theatre Training Program. He was educated at the University of California, Berkeley, where he is a Distinguished Alumnus, and at Carnegie-Mellon.
dean R. gladden - managing director
Dean R. Gladden is in his eleventh season with the Alley Theatre where he is responsible for the administrative, financial, marketing, facilities and development aspects of the Theatre. His career in the performing arts spans over 35 years. Prior to joining the Alley, he was Managing Director at The Cleveland Play House for 19 years. During his career, he has overseen the production of over 230 plays, including more than 70 world and American premieres and established international exchanges with the Czech National Theatre in Prague, the Hungarian National Theatre in Miskolc, the Slovak National Theatre in Bratislava, and The New Experimental Theatre in Volgograd, Russia. Mr. Gladden holds a BA in Music from Miami University and a MA in Urban Arts Administration from Drexel University. He also graduated from the Harvard Business School Executive Education Program in Strategic Perspectives in Nonprofit Management. He currently is Chairman of the Board for the Greater Houston Convention and Visitors Bureau, Treasurer of the Board of the Theater District Houston and an American Leadership Forum Fellow. He was past president of The Rotary Club of Cleveland and the Cleveland Rotary Foundation and is a past board member of the Rotary Club of Houston. He has served on the Executive Committee of the League of Resident Theatres and was Vice President of the National Corporate Theatre Fund. Gladden has served on panels for the National Endowment for the Arts, Ohio Arts Council, Wisconsin Arts Council, Kentucky Arts Council Texas Commission on the Arts and the Pew Center for Arts and Heritage. He has taught Arts Management classes at Case Western Reserve University, Cleveland State University, Bowling Green State University, University of Houston and University of Akron, where he was director of the graduate program in Arts Management. He is currently on the Pedagogical Advisory Board of the Master of Management in International Arts Management Association with HEC Montreal, Southern Methodist University at SDA Bocconi, Milan. He has lectured nationally for the American Council for the Arts, the Association of Performing Arts Presenters, the National Association of State Legislators and the American Dance Festival. He has presented at the Santiago a Mil Festival in Chile, and also conducted Arts Management workshops in Budapest, Hungary, under the sponsorship of The United States Information Agency.