April 17 - May 10, 2026
In this legendary Tony Award-winning drama, a former baseball player struggles with the realities of life and the pursuit of happiness. Amidst racial prejudice and unfulfilled dreams, the challenges of parenthood and the bonds of family are tested. Discover why this iconic classic continues to resonate for decades.
The run time is 2 hours and 30 minutes, including one intermission.
Join us for a night where theatre and pride take center stage!
Get a behind-the-scenes look at the design process.
Join us for post-show Alley Chats with the cast and Alley Theatre Artistic Staff.
Access a digital copy of the program here.
Curated to set the mood for your upcoming production.
The Double Play
A spirited twist on the classic, blending the richness of cognac with bright citrus and a warming touch of spice. Fresh lemon juice brings a crisp balance, while ginger adds a subtle heat that lingers just long enough to keep each sip interesting. Smooth, zesty, and lightly spiced, it’s both refreshing and refined.
Kendrick “KayB” Brown
Lyons
Kendrick “KayB” Brown is a resident of Houston, TX. He has a degree in Drama from PVAMU and after graduating started teaching in HISD. Currently teaching at Thurgood Marshall High School (FBISD) for his 4th year but has been in education for the last 18 years. Most recent credits: Johnnie B. Good (Duce); Death of a Salesman (Happy); Camp Logan (Moses); Seven Guitars (Floyd); Wolf Play (Ryan); The Piano Lesson (Lymon); Fences (Lyons); Pipeline (Dunn); I Too, Am America (Multiple roles); Lilies of the Field (Homer Smith); Too Heavy For Your Pockets (Bowzie) and many others.
Michelle Elaine
Rose
Michelle Elaineis a Resident Acting Company Member. Michelle originated the role of Miss Scarlet in the First National Tour of Clue: A New Comedy. Favorite Alley Theatre credits: Agatha Christie’s The Mirror Crack’d, Primary Trust, Noises Off, A Christmas Carol, Clue, Dead Man’s Cell Phone, Sense and Sensibility, Sweat, and Quack. Michelle was awarded the Houston Press Awards Best Supporting Actress for her role as the title character in Clyde’s at The Ensemble Theatre. Stages: POTUS. Check out Michelle’s web series @castmedammit on YouTube! @michelleelaineofficial
Timothy Eric
Gabriel
Timothy Eric was the Houston Press Awards Best Actor of the 202 3–24 theatre season for his performance in Main Street Theatre’s world premiere of Stagolee & the Funeral of a Dangerous Word by Thomas Meloncon. In 2024–25, he shared the honor with Brandon Morgan for 4th Wall Theatre’s Topdog/Underdog by Suzan-Lori Parks, which won Best Play.
Mila Glenn
Raynell
Mila Glenn is delighted to be in this production! Performing since age three, she has appeared in commercials, music videos, and theatre. She has trained with Alley PlayMakers, Ensemble Theatre, TUTS, HITS Theatre, and Page Parkes in acting, voiceover, and dance. She thanks her family and mentors for their support.
Alex Morris
Jim Bono
Alex Morris Alley return. Selected credits: The entire August Wilson cannon, American Son, Coconut Cake, Two Old Black Guys… (Ensemble Theatre). English Theater Frankfurt Germany, Resident Artist at A Noise Within (Pasadena, CA). Five-time NAACP theatre award winner and three-time Ovation Award winner. Emmy Nomination for FX’s BASKETS and soon to be seen in Disney’s Malcolm in the Middle reboot.
Aramie Payton
Cory
Aramie Payton Broadway: The Outsiders, MJ the Musical (OBC; original MJ Standby). West End: MJ the Musical (MJ Alternate). Tours: Dreamgirls, Flashdance and Cruel Intentions. NYC: Bat Out of Hell (City Center). Regional: MUNY, Paper Mill, Signature DC (Helen Hayes Award), Starlight & Marriott. Film/TV: Run the World, The Equalizer & more. @mynameisaramie
David Rainey
Troy Maxson
David Rainey is in his 25th season as a Resident Acting Company Member and his 106th production for the Alley. He’s also performed on Broadway with The National Actors Theatre, and nationally with the Guthrie Theater, Steppenwolf Theatre Company, Manhattan Theatre Club, Berkeley Rep, Hartford Stage, Dallas Theater Center, among others. He received the Juilliard Drama Division’s highest honor, the Michel and Suria Saint-Denis Prize, and he also owns Studio for Actors Houston.
Paisley Rayne Richmond
Raynell
Paisley Rayne Richmond is a young performer who first found her voice at Houston’s The Ensemble Theatre. Over 4 summers at The Ensemble, she has appeared in multiple productions and most recently starred in Kisa Naki Princess of the Sea. As a student of acting, voice and dance, she conveys her love of the arts, genuine heart and joyful spirit to every stage. Paisley lovingly dedicates this performance to her mother Raven, for steadfast encouragement and unwavering support.
Scott Bradley
Scenic Design
Scott Bradley assisted the set designers of Ma Rainey’s Black Bottom in 1983 and Fences in 1984. He designed the set for the Broadway premieres of Joe Turner’s Come and Gone in 1986, earning a Drama Desk Award nomination, and Seven Guitars in 1996 receiving a Drama Desk Award and a Tony Nomination for Best Set Design. Recently he designed Sarah Ruhl’s Eurydice at The Signature Theater in NYC and Mary Zimmerman’s The Notebooks of Leonardo DaVinci at The Shakespeare Theater in Washington DC, earning the 2023 Helen Hayes Award for Best Set Design.
Alan C. Edwards
Lighting Design
Alan C. Edwards Off-Broadway: My Joy Is Heavy (NYTW); Sally & Tom (Public); Monte Cristo (York), Fires In The Mirror [Lortel Nom.], Twilight: Los Angeles, 1992 (Signature NYC); Harry Clarke [Lortel Award] (Vineyard); Kill Move Paradise [Drama Desk nom] (National Black Theatre). Regional: Gatsby: An American Myth [Norton Award]; Twilight: Los Angeles, 1992 (A.R.T.); Sally & Tom (Guthrie); Appropriate (The Old Globe); Paradise Blue, (Geffen Playhouse). West End: Harry Clarke. Education/Training: MFA, Yale School of Drama. alancedwards.com
Amber D. Gray
Assistant Director
Amber D. Gray Amber’s prior credits are the Company Manager at Washington DC’s Arena Stage Theater and the Assistant Line Producer at NY’s Public Theater. Houston credits include: Assistant Director for High School Play: A Nostalgia Fest, A Christmas Carol (Assistant Director 2022/ Associate Director 2023), Agatha Christie’s And Then There Were None, Noises Off, The Glass Menagerie, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery and Primary Trust at Alley Theatre and cullud wattah (Assistant Director) and The 25th Annual Putnam County Spelling Bee (Marcy) at Stages Repertory Theatre. She is also currently the Associate Artistic Director/General Manager for the Black Motherhood and Parenting New Play Festival and Associate Artistic Director/General Manager for Detroit’s Obsidian Theatre Festival. BFA: Rockford University. amberdgray.com.
Carolyn Johnson
Voice and Dialogue Coach
Carolyn Johnson is an Equity Actress, Dialect & Acting Coach, Director, and Singer. Most recently, she served as Dialect Coach for, as well as being seen onstage (as Mrs. Keene) in, The Body Snatcher. Last season, she also coached Seared, The Glass Menagerie and Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery. Other coaching includes Houston Grand Opera, Teatro Real Opera (Madrid), The Barbican (London) and Stages Houston, among others. Carolyn teaches voice and text, directs and acts for Prague Shakespeare Company in Prague, and works with the online dialect resource, AccentHelp.com.
Ethan Mitchell
Assistant Stage Manager
Ethan Mitchell Previously at Alley Theatre: The Da Vinci Code, Noël Coward’s Private Lives; The Alley, Wolfie (Alley All New Festival 2024); Agatha Christie’s And Then There Were None; The Bleeding Class (Alley All New Festival 2023); Cowboy Bob; High School Play: A Nostalgia Fest. Regional: Theatre Under the Stars (9 seasons), Houston Ballet, ZACH Theatre. Ethan has a BFA in Theatre from Texas State University and is a proud member of the Actors’ Equity Association.
Eileen J. Morris
Director
Eileen J. Morris is the Artistic Director of The Ensemble Theatre-Houston. Recent Ensemble Theatre directing credits include: The Bluest Eye and Akeelah and the Bee. Eileen was named 2023 Best Artistic Director by the Houston Press Awards. She has enjoyed working with Alley Theatre over the years in several capacities—in 2021, as associate director for the play Sweat; directing for the Alley All New Festival; performing as the first Black Mrs. Cratchit in A Christmas Carol; and performing in the 1991 production of August Wilson’s Joe Turner’s Come and Gone. Eileen holds the distinction of being the ONLY woman in the world to have directed nine out of the ten plays in the August Wilson The American Century Cycle.
Adam Noble
Fight Director & Intimacy Specialist
Adam Noble has over 30 years of professional experience augmenting physical storytelling in the performing arts. Certified by both the Society of American Fight Directors and by Intimacy Directors & Coordinators, Adam teaches acting and movement both nationally and internationally. Serving across artistic disciplines, he’s created nuanced choreography for well over 250 productions. Adam is Head of the newly-created University of Houston + Alley Theatre MFA Professional Actor Training Program.
Trinity A. Nobles
Stage Manager
Trinity A. Nobles Favorites include Alley Theatre: Agatha Christie’s The Mirror Crack’d, Primary Trust, Alley All New Festival 2024: Uhuru and Zero Hour; TUTS: Million Dollar Quartet, The 25th Annual Putnam County Spelling Bee, Disney’s Frozen, Cinderella, Ain’t Misbehavin’; Stages: the ripple, the wave, that carried me home, Miss Rhythm: The Legend Of Ruth Brown, Othello: The Remix, Always… Patsy Cline, You Are Cordially Invited to Sit-In; BFA: Stage Management, University of Houston. Always, Nate, Cashew, and Pistachio.
Kathy Ruvuna
Sound Design
Kathy Ruvuna The Janeiad, What-A-Christmas!, The Night Shift Before Christmas, Sweat (Alley Theatre); Hot Wing King, Trouble in Mind (Hartford Stage); Pipeline, Radio Golf (Everyman Theatre); Bernarda’s Daughters (New Group); Gooey’s Toxic Aquatic Adventure; Self-Portraits (Deluxe); Dark Disabled Stories (Bushwick Starr); Cold War Choir Practice (Clubbed Thumb); Ni Mi Madre, In the Southern Breeze (Rattlestick Playwrights Theater); Circle Jerk (Fake Friends); Clyde’s, Read to Me (Portland Stage); M.F.A. in Sound Design – Yale School of Drama.
Nicole Jescinth Smith
Costume Design
Nicole Jescinth Smith has both a Master’s of Fine Arts (University of Tennessee, ’06) and a Bachelor’s of Fine Arts (University of Miami ’03) in Theatrical Costume Design. She has worked on everything from Broadway to the Met! (Opera). Recently, Ms. Smith was the costume designer on Season 1 of The Chair Company (HBO). She is excited to be back at the Alley after her premiere as the costume designer on Agatha Christie’s The Mirror Crack’d in 2025. Other recent theatrical credits include the world premiere of Godspeed at the Denver Center for the Performing Arts and Deceived at The Old Globe. Nicole continues to further her costume artistry in theatre, commercials and live performance with much anticipated work in the 2026 year including an upcoming television project with Netflix, a world premiere musical and finally taking a vacation.
August Wilson
Playwright
August Wilson (April 27, 1945 – October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street – The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.