October 16 – November 8, 2026
An unlikely group takes on a “Tanzanian-only” ascent of Mount Kilimanjaro in this sharp satire. The dramedy follows a Tanzanian-American tourist, two missionaries, and their guide as they make their way toward the “Roof of Africa.” They must confront questions of access, identity, and who deserves a place on the mountain.
The run time is 1 hours and 30 minutes, with no intermission.
Get a behind-the-scenes look at the design process.
Join us for post-show Alley Chats with the cast and Alley Theatre Artistic Staff.
The Double Play
A spirited twist on the classic, blending the richness of cognac with bright citrus and a warming touch of spice. Fresh lemon juice brings a crisp balance, while ginger adds a subtle heat that lingers just long enough to keep each sip interesting. Smooth, zesty, and lightly spiced, it’s both refreshing and refined.
Oghenero Gbaje
Sprite
Oghenero Gbaje is an Obie-award winning multi-hyphenate artist, proudly born and raised in Brooklyn, NY. He’s an alumni of LaGuardia High School and Ithaca College(B.F.A Acting).He’s a self-taught multi-instrumentalist, recording artist and music producer. You can a find his music under “Oghie” on all platforms.
David Gow
Henry
David Gow is a Houston native/NYC based actor who has always wanted to work at the Alley. This year he won the Helen Hayes Award for The Inheritance, played Hamlet at Shakespeare & Company, and is directing Are the Bennet Girls Ok? at 4th Wall Theatre. TV/Film: Girls on the Bus (HBO), The Good Fight (CBS), Madam Secretary (CBS), Chrissy Judy (Amazon), Jon Glaser Loves Gear (truTV), The Intruder (Apple TV), The Savant (Apple TV), Candice (Austin Film Festival). BFA from UNCSA. Love to K.
Michael Oloyede
Mshale
Michael Oloyede is thrilled to make his Alley Theatre debut. He made his Broadway debut in Jaja’s African Hair Braiding, originating the roles of James/Franklin/Olu/Eric, and reprised the production at Center Theatre Group in Los Angeles. Off-Broadway: Scraps, Inanimate (The Flea Theater), Eco Village (Theater at St. Clements). Film/TV: Both Eyes Open (STARZ), Maniac (Netflix), Lemonade Blessing (Tribeca), Soul Patrol (Sundance). Michael is also the founder of Scene & Heard, a creative community supporting artists through space, opportunity, and storytelling.
@michaeloloyede
Skyler Sinclair
Skyler Sinclair is thrilled to be back at the Alley Theatre! Past Houston credits include Lend Me a Soprano, Crimes of the Heart, The Murder of Roger Ackroyd (Alley); Our Town, Sense and Sensibility, Gloria (4th Wall); Let. Her. Rip. (Stages); Appropriate (Dirtdogs); Around the World in 80 Days, Harvey (AD Players); Miss Bennet: Christmas at Pemberley, The Wickham’s, The Best of Everything (Main Street). BFA University of Houston. Instagram: @skyssinclair
Shariffa Ali
Director
Shariffa Ali is a Kenyan-Ethiopian, New York-based director, filmmaker, and educator who believes theatre is a rehearsal for humanity. Rooted in futurity, her work transforms memory, migration, and resistance into collective possibility. Directing credits include Mies Julie, minor.ity, School Girls; Or, The African Mean Girls Play, Copper Children, and Mlima’s Tale. Her films Atomu and You Go Girl! premiered at Sundance. She has been an artist-in-residence at Brown University and Oregon Shakespeare Festival. A Sundance New Frontier Fellow and Hermitage Major Theater Award recipient, Shariffa teaches at Princeton University and works with UNDP’s timbuktoo initiative, advancing African innovation and becoming.
Photo by Rea Parrish.
Karishma Bhagani
Swahili Dialect Coach & Cultural Consultant
Karishma Bhagani is a producer and dramaturg from Mombasa, Kenya. Karishma is the program director of the Bridges Fellowship Program, a training program for African producers. Select credits: Mal Aria (Premier Stages), Shakespeare in the Park: Twelfth Night (NYC), Goddess: The Musical (Berkeley Rep and The Public Theater), produced The Manic Monologues, Theatre for One: Nairobi Edition. PhD candidate, Theater and Performance Studies at Stanford University, B.F.A Drama and B.A. History, NYU.
@karishmabhagani
You-Shin Chen
Scenic Design
You-Shin Chen Taiwanese-American scenic designer. You-Shin centers the human experience in the process of creating an environment. Recent credits include: How to Defend Yourself (NYTW); Mrs. Murray’s Menagerie (ArsNova); Wolf Play (MCC & SohoRep); A View From the Bridge (Long Wharf); Red Velvet (STC); Walden (Theaterworks Hartford); The Ruins (Guthrie); The Witnesses (Chautauqua Theater Company); Kim’s Convenience (Westport Country Playhouse); The Dragon King’s Daughter; Finn (The Kennedy Center). Lucille Lortel Awards, Connecticut Critics Circle Awards. USA 829.
Lacey Erb
Projection Design
Lacey Erb is a projection & media designer whose design work spans live performance, multimedia art exhibitions, and film and video animation. Selected credits: Small Mouth Sounds (Alliance Theatre), Sondheim on Love (Norfolk Chamber Music Festival), This Beautiful Future (Off-Broadway), Very Fine People, and Chasing the New White Whale (La Mama), Sondheim on Love (Norfolk Chamber Music Festival), Reflective Impulse (SXSW Interactive), and multiple shows with Norwegian Cruise Line. Lacey is a member of USA 829.
Carolina Ortiz Herrera
Lighting Design
Carolina Ortiz Herrerais a Mexican-born and New York-based Lighting Designer for theater, opera, and dance. Broadway: Good Night, Oscar. Regional: Private Lives, December: a love years in the making, American Mariachi, and Born with Teeth (Alley Theatre); her work has been seen in numerous theaters across the US, including: La Jolla Playhouse, Guthrie Theatre, Oregon Shakespeare Festival, Goodman Theatre, Denver Center for the Arts, Playmakers Repertory, Westport Country Playhouse, Minneapolis Opera, Florentine Opera, Opera Idaho, and others.
carolinaeortiz.com
Celeste Jennings
Costume Design
Celeste Jennings an Arkansas born, New York based playwright and costume designer. Recent designs include: Fun Home, Purpose, To Kill a Mockingbird (Huntington Theatre), The Monsters (Berkeley Rep), Memnon (Classical Theatre of Harlem), and Appropriate (The Old Globe). She developed her play Potliqka with The Public Theatre Spotlight Series and Rattlestick Theatre where she’s a Terrence McNally Fellow. Jennings holds an MFA in costume design from NYU Tisch School of the Arts.
Gloria Majule
Playwright
Gloria Majule is a storyteller from Dodoma, Tanzania. She seeks to tell stories that bring multiple black voices together from across the world, and are accessible to black audiences no matter where they are. She writes for and about Africans and the African diaspora.
Gloria has been awarded fellowships from MacDowell and Artist Trust; commissions from Audible, Milwaukee Repertory Theater, Atlantic Theater Company, and Princeton University/The Civilians; and residencies at Yaddo, Art Omi, The Ground Floor at Berkeley Repertory Theatre, The New Harmony Project, and New York Stage and Film. A four-time O’Neill Finalist and six-time Susan Smith Blackburn Prize nominee, Gloria’s work includes UHURU (Upcoming World Premiere at the Alley Theatre), MALA ARIA (Upcoming New Play Production at Premiere Stages), MY FATHER WAS SHOT IN THE BACK OF THE HEAD (Relentless Award Finalist), POSSESSED (OR, “THE CRAZY AFRICAN GIRL PLAY) (O’Neill National Playwrights Conference Selection), CULTURE SHOCK (Leah Ryan Prize Winner), and FIFTEEN HUNDRED (Blue Ink Award Finalist). Her work has been developed at New York Theatre Workshop, Union Arts Center, The American Playwriting Foundation, Abingdon Theatre Company, The Black and Latino Playwrights Celebration, Vassar’s Powerhouse Theater, American Blues Theater, The New Group, The Alliance Theatre, and Great Plains Theatre Commons, among others. Gloria graduated summa cum laude from Cornell University with a BA in Performing & Media Arts and Spanish, and was the first African woman to receive an MFA in Playwriting from Yale School of Drama.
Ethan Mitchell
Assistant Stage Manager
Ethan MitchellPreviously at Alley Theatre: August Wilson’s Fences, The Da Vinci Code, Noël Coward’s Private Lives; The Alley, Wolfie (Alley All New Festival 2024); Agatha Christie’s And Then There Were None; The Bleeding Class (Alley All New Festival 2023); Cowboy Bob; High School Play: A Nostalgia Fest. Regional: Theatre Under the Stars (9 seasons), Houston Ballet, ZACH Theatre. Ethan has a BFA in Theatre from Texas State University and is a proud member of the Actors’ Equity Association.
Adam Noble
Fight Director & Intimacy Specialist
Fight Director & Intimacy Specialist
Adam Noble has over 30 years of professional experience augmenting physical storytelling in the performing arts. Certified by the Society of American Fight Directors and a recognized specialist in the field of intimacy direction, Adam teaches acting and movement nationally and internationally. Serving across artistic disciplines, he’s created movement choreography for over 250 productions. Adam is Head of the University of Houston + Alley Theatre MFA Professional Actor Training Program.
Trinity A. Nobles
Stage Manager
Trinity A. Nobles (Stage Manager) Favorites include Alley Theatre: August Wilson’s Fences, Agatha Christie’s The Mirror Crack’d, Primary Trust, Alley All New Festival 2024: Uhuru and Zero Hour; TUTS: Million Dollar Quartet, The 25th Annual Putnam County Spelling Bee, Disney’s Frozen, Cinderella, Ain’t Misbehavin’; Stages: the ripple, the wave, that carried me home, Miss Rhythm: The Legend Of Ruth Brown, Othello: The Remix, You Are Cordially Invited to Sit-In; BFA: Stage Management, University of Houston. Always, Nate, Cashew, and Pistachio.
Kathy Ruvuna
Sound Design
Kathy Ruvuna Fences, The Janeiad, What-A-Christmas!, The Night Shift Before Christmas, Sweat (Alley Theatre); Hot Wing King, Trouble in Mind (Hartford Stage); Pipeline, Radio Golf (Everyman Theatre); Cold War Choir Practice (MCC), Bernarda’s Daughters (New Group); Gooey’s Toxic Aquatic Adventure; Self-Portraits (Deluxe); Dark Disabled Stories (Bushwick Starr); Ni Mi Madre, In the Southern Breeze (Rattlestick Playwrights Theater); Circle Jerk (Fake Friends); M.F.A. in Sound Design – Yale School of Drama.