Reflections of a Lighting Designer

Carolina Ortiz Herrera, Lighting Designer for December: a love years in the making, discusses the production and her design process.

by

Carolina Ortiz Herrera

January 17, 2025

Carolina Ortiz Herrera

What a great way to start my new year with you all creating the world for Marisela’s new play. In December: a love years in the making, the love for poetry and music creates a blossoming chemistry that allows Carolina and Benjamin to build a romantic connection that endures time and what seems impossible at first.

The play happens in one location, with a full circle from beginning to end. It is Carolina’s house in Minneapolis that holds the space for this intimate relationship that grows. The lighting will highlight the rich details, textures and the soft color palette that Scenic Designer Regina García put beautifully as our realistic background. I will be creating a sense of indoor vs exterior by introducing the texture of nature both in the entrance area, the roof line and through the windows.

In our design meetings we discussed the importance of keeping a feeling of intimacy for the actors against the background. While creating realism of the interior space, there will always be focus around the actors to feel as we are zooming in to their personal journeys just as references I borrow from cinematic lighting and the work of Viola’s Catherine Room you can see in my research.

But time seems to bend the portion of realism in the play, where in two big transitions, the span of 12 years passed. This is where we will be adding a little bit of theatrical elements so the light becomes time passing, characterized by a sense of the nature in Minneapolis’ houses and movement from trees. Light captured through the passing of time has a rich combination of shadow, color and texture that I intend to compose against the entire space during the transitions.


December: a love years in the making runs January 17 – February 2.

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“Qué manera tan increíble de comenzar mi año nuevo, trabajando con todos ustedes para dar vida al mundo de la nueva obra de Marisela. En December: a love years in the making, la poesía y la música crean una química deslumbrante que permite que Carolina y Benjamín construyan una conexión romántica que desafía el paso del tiempo y lo que, al principio, parecía inalcanzable.

La obra transcurre en un único escenario, un viaje que va de principio a fin, cerrando un círculo completo. La casa de Carolina en Minneapolis se convierte en el corazón de esta relación íntima que crece y se transforma. La iluminación resalta los detalles más sutiles, las texturas y la paleta de colores suaves que Regina García, nuestra Diseñadora Escénica, ha tejido con una elegancia impresionante, sirviendo como nuestro fondo realista. Introduciré la textura de la naturaleza, tanto en el área de entrada como en la línea del techo y a través de las ventanas, fusionando el exterior con el interior y creando un contraste vibrante entre ambos mundos.

En nuestras reuniones de diseño, conversamos acerca de cómo mantener la intimidad entre los actores mientras se integran al fondo. A medida que creamos el realismo del espacio, la atención siempre estará centrada en los actores, como si estuviéramos acercándonos a sus viajes personales, inspirado por la iluminación cinematográfica y el trabajo de la Sala de Catherine de Viola, lo cual se puede apreciar en mi investigación.

Sin embargo, el paso del tiempo en la obra no es lineal. En dos momentos clave, 12 años se despliegan ante nosotros, lo que nos permite agregar elementos teatrales. La luz se convierte en un vehículo del tiempo, capturando la esencia de la naturaleza en las casas de Minneapolis y el movimiento de los árboles. La luz, a medida que avanza, se fusiona con sombras, colores y texturas que emplearé para transformar todo el espacio durante las transiciones.”

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