Specialty Cocktail: Primary Trust

Specialty Cocktail: Primary Trust

by

Travis Matthews

April 23, 2025

If you enjoyed the specialty cocktail for Primary Trust, here is your chance to make it yourself at home.

The Tiki Teller

A timeless tiki classic born in 1940s California, the Mai Tai is a vibrant, citrus-forward cocktail that perfectly balances the boldness of aged rum with the smooth sweetness of orgeat and orange curaçao. Fresh lime juice brings a zesty brightness, while the nutty almond notes and tropical aroma make each sip feel like a breeze off a faraway beach. Despite its name meaning “out of this world” in Tahitian (“Maita’i roa ae!”), this drink keeps things grounded in bold, boozy simplicity —umbrellas are a necessity.

 

Ingredients

  • 1 oz aged Jamaican rum
  • 1 oz Martinique rum (Rhum Agricole or another dry, funky rum)
  • ¾ oz fresh lime juice
  • ½ oz orange curaçao
  • ¼ oz orgeat syrup (almond syrup)
  • ¼ oz simple syrup

Optional garnish

  • Mint sprig
  • Spent lime shell
  • Cherry or pineapple wedge (for flair)

Instructions

  • Add all ingredients (except Jamaican rum) into a shaker with ice.
  • Shake well for 10–15 seconds.
  • Strain into a double old-fashioned glass filled with crushed ice.
  • Top with orange or pineapple juice (optional).
  • Float aged Jamaican rum.
  • Garnish with the mint sprig and the spent lime shell (it looks like a little island!).
  • Don’t forget to add an umbrella!

Primary Trust runs May 2 through May 25, 2024. Tickets are available here.

Próximamente…

On Sale Now

May 29 - June 28, 2026

Misery

He’s Her Obsession, She’s His Nightmare

July 24 – August 30, 2026

The Girl on the Train

A Woman’s Memory, Her Greatest Betrayal

Explore More
The Girl on the Train: A Literary History

BY Anna Parker

The Girl on the Train: Unreliable Narrators on Stage

BY Solene Partouche

Summer Intern Spotlights: Part One

BY Solène Partouche

Finding Our Song: Juneteenth, Houston, and August Wilson’s Joe Turner’s Come and Gone 

BY Russell Boyd

Artistic Director’s Reflections on The Girl on the Train

BY Rob Melrose

Sound as Witness: In conversation with Servanté Cook on Music, Community, and the Sounds of August Wilson’s Fences

BY Russell Boyd