March 6 - March 29, 2026
This timeless comedy follows two British bachelors who invent alter egos to outwit society and find love. As their deception unravels, chaos and hilarity ensue. Experience mistaken identities, secret loves, and sparkling satire in one of Oscar Wilde's most celebrated works.
The run time is 2 hours and 30 minutes, including two intermissions.
Join us for a night where theatre and pride take center stage!
Get a behind-the-scenes look at the design process.
Join us for post-show Alley Chats with the cast and Alley Theatre Artistic Staff.
Wilde Bloom
Victorian tea service meets modern cocktail craft. Earl Grey–infused Beyond Distilling gin brings bright bergamot and soft tannin. Lifted by fresh lemon, honey syrup, and elderflower liqueur, then finished with a whisper of bubbles. Elegant, aromatic, and delightfully well-mannered. Proper enough for tea, playful enough for mischief.
Candy Buckley
Lady Bracknell
Candy Buckley Broadway: Scandalous, Thoroughly Modern Millie, After the Fall, Cabaret, Ring Round the Moon. Off-Broadway and regionally: Hedda Gabler, The Cherry Orchard, Macbeth, Company, Sweeney Todd, A Delicate Balance. TV and film: The Kill Room, Rare Objects, WeCrashed, Treme, The Americans, Blue Bloods. Recipient: Princess Grace Statuette for Outstanding Achievement in Theater.
Elizabeth Bunch
Miss Prism
Elizabeth Bunch has appeared in over 100 productions at Alley Theatre. Favorites include Misery, Seared, Noises Off, Little Comedies, Servant of Two Masters, Clue, Dead Man’s Cell Phone, 1984, Constellations, As You Like It, Grounded, Othello, The 39 Steps, Hand to God, Pygmalion, August Osage County, Clybourne Park, Lieutenant of Inishmore, Doubt, Proof, and Who’s Afraid of Virginia Woolf? NYC and Regional: Playwrights Horizons, Guthrie, Denver Center, Bread Loaf Acting Ensemble, Keen Company, and The Flea. @Its_Elizabeth_Bunch
Dylan Godwin
Algernon Moncrieff
Dylan Godwinis a Resident Acting Company Member and recently appeared in Alley Theatre’s Dear Alien, The Importance of Being Earnest (Algernon Moncrieff), The Da Vinci Code (Rémy), Agatha Christie’s The Mirror Crack’d (Chief Inspector Dermot Craddock), Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery (Actor 2), The Glass Menagerie (Tom). National Tour: Fiddler on the Roof. Regional: Born with Teeth (Guthrie Theatre and Asolo Rep); Miller, Mississippi (Dallas Theatre Center).
Chris Hutchison
Merriman
Chris Hutchison His time at the Alley stretches back to 2004 when he appeared opposite Elizabeth Bunch in Proof. They have shared the stage countless times since then. Some of the highlights at Alley: Constellations, Good People, Lieutenant of Inishmore, As You Like It, Twelfth Night, Dead Man’s Cell Phone, Agatha Christie’s The Mirror Crack’d, Orson’s Shadow, Agatha Christie’s Death on the Nile, Dracula, All My Sons, 1984, Medea (Video). Elsewhere they have appeared together in Big Love, Museum, Midsummer Night’s Dream, Arcadia, Romeo & Juliet, and as Stanley and Stella in A Streetcar Named Desire.
Melissa Molano
Cecily Cardew
Melissa Molano is a Resident Acting Company Member. Recent Alley shows include The Importance of Being Earnest, The Da Vinci Code, Agatha Christie’s The Mirror Crack’d, Noël Coward’s Private Lives, The Glass Menagerie, Noises Off, and Agatha Christie’s And Then There Were None. Other previous roles include: The River Bride (Belmira), Man of La Mancha (Antonia), I and You (Caroline), The Book of Maggie (Maggie). She’s also a voice and film actor featured on streaming platforms HiDive, Netflix and Prime. Instagram/X: @melissacmolano.
Amelia Pedlow
Gwendolen Fairfax
Amelia Pedlow A Sign in Sydney Brustein’s Window (BAM); The Metromaniacs,’Tis Pity She’s a Whore (Red Bull); Pride & Prejudice (Primary Stages); The Liar, The Heir Apparent (CSC); You Never Can Tell (The Pearl). Regional (select): A Doll’s House, Frankenstein, Emma (The Guthrie); Dear Jack, Dear Louise (Arena Stage); POTUS (City Theatre); Scarlet Letter (Two River); Private Lives (St. Louis Rep); Red Velvet (The Old Globe); Ether Dome (La Jolla, Hartford Stage, The Huntington); 39 Steps, The Glass Menagerie, Hamlet (The Denver Center). TV: The Good Wife, Blue Bloods, Shades of Blue, The Blacklist, FBI: Most Wanted. Training: Juilliard.
Spencer Plachy
Lane/ Canon Chasuble
Spencer Plachy Alley Theatre: Agathe Christie’s And Then There Were None. Stages: The Lehman Trilogy. Houston Grand Opera: West Side Story. Appearances at A.D. Players, Main Street Theater, Classical Theatre Company. National Tour: Disney’s The Lion King. Broadway: Romeo & Juliet, The Mystery of Edwin Drood. TV: Shades of Blue. Love to Laura!
Christopher Salazar
John Worthing
Christopher Salazaris a Resident Acting Company Member. Alley Theatre credits include Seared, The Importance of Being Earnest, Agatha Christie’s The Murder of Roger Ackroyd, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Noises Off, 72 Miles to Go…, and The Servant of Two Masters. Select regional credits include: three seasons with the Oregon Shakespeare Festival, and the world premieres of The Copper Children, The Way the Mountain Moved, and Off the Rails; 11 productions at The Old Globe. On TV: Robert Torres on Jane, The Virgin. MFA: Old Globe Theatre/ USD, BA: UNC-Chapel Hill. Love always to Amy.
Jiyoun Chang
Lighting Design
Jiyoun Chang is honored to return to Alley Theatre, where she previously designed Pictures From Home. Broadway credits include Stereophonic (Broadway, West End, National Tour; Tony Award nomination), Jaja’s African Hair Braiding, The Cottage, KPOP, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf (Tony Award nomination), and Slave Play (Tony, Drama Desk, and Henry Hewes Award nominations). Opera credits include Lucia di Lammermoor, Il Trovatore, Primero Sueño, and The Factotum.
Brandon Clark
Assistant Stage Manager
Brandon Clark Previous Alley credits include: A Christmas Carol, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Seared, Noises Off and the world premieres of Torera, Agatha Christie’s The Murder of Roger Ackroyd, and Cowboy Bob. Other credits include: The Tempest, Richard II (Colorado Shakespeare Festival), Romeo and Juliet, Into the Woods (Texas Shakespeare Festival). BA, Theatre: University of Northern Iowa. Proud member of Actors’ Equity Association.
Melanie Chen Cole
Sound Design
Melanie Chen Cole Alley Theatre: The Importance of Being Earnest, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Noises Off, Jane Eyre, The World is Not Silent, Sherlock Holmes and The Case of The Jersey Lily, High School Play: A Nostalgia Fest. Regional theatre credits: Alabama Shakespeare Festival, Alliance Theatre, Cincinnati Playhouse in the Park, Cleveland Playhouse, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, Indiana Rep, La Jolla Playhouse, the McCarter, Milwaukee Rep, Northern Stage, The Old Globe, PlayMakers Rep, Seattle Rep, South Coast Rep, Studio Theatre, and the Utah Shakespeare Festival. Education: MFA in Theatre and Dance from UC San Diego. Education: MFA in Theatre and Dance from UC San Diego. melaniesound.com, @melaniechencole on Instagram.
Michael Locher
Michael Locher is Alley Theatre’s Director of Design and made his Alley debut with Agatha Christie’s Murder on the Orient Express. Recent regional credits include productions for the Guthrie Theater, Oregon Shakespeare Festival, Repertory Theatre of St. Louis, Yale Repertory Theatre, and more. Michael’s designs have been seen Off-Broadway and at venues throughout New York and the Northeast. Michael served as a professor at San Jose State University for six years. Graduate: University of California San Diego, Yale School of Drama.
Rob Melrose
Director
Rob Melrose is the Artistic Director of Alley Theatre where he has directed productions of The Glass Menagerie, The Janeiad, Thornton Wilder’s The Emporium, Pictures from Home, The Servant of Two Masters, Born with Teeth, Sweat, The Winter’s Tale, 1984, and Agatha Christie’s Murder on the Orient Express and adapted and directed A Christmas Carol. He was formerly the Artistic Director and co-founder of the Cutting Ball Theater. He has directed at The Public Theater, The Guthrie Theater, Asolo Repertory Theatre, The Oregon Shakespeare Festival, Magic Theatre, The Old Globe, PlayMakers Rep, Black Box Theatre, as well as Actors’ Collective, The Gamm Theatre, and Crowded Fire, among others. He has taught at Stanford University, UC Berkeley, USF, the University of Rhode Island, and Marin Academy. He has a BA in English and Theater from Princeton University and an MFA in directing from the Yale School of Drama. Rob directed Strindberg’s Svarta Handsken (The Black Glove) in Stockholm, Sweden at Strindberg’s Intimate Theater. His translations of Woyzeck, Ubu Roi, and Pelleas & Melisande have been published by EXIT Press. He has written a number of plays including: Helen of Troy, The Flat Earth, Divorsosaurus, When Human Voices Wake Us, Asylum, and Serpentyne and has written a rock musical adaptation of L. Frank Baum’s Ozma of Oz.
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Adam Noble
Fight Director & Intimacy Specialist
Adam Noble has over 30 years of professional experience augmenting physical storytelling in the performing arts. Certified by both the Society of American Fight Directors and by Intimacy Directors & Coordinators, Adam teaches acting and movement both nationally and internationally. Serving across artistic disciplines, he’s created nuanced choreography for well over 250 productions. Adam is Head of the newly-created University of Houston + Alley Theatre MFA Professional Actor Training Program.
Jocelyn A. Thompson
Stage Manager
Jocelyn A. Thompson recently worked on The Da Vinci Code and is thrilled to be back at Alley Theatre for another production — it always feels like coming home. Her other productions for the Alley include Thornton Wilder’s The Emporium, Born with Teeth, Seascape, and Pictures from Home. Selected regional work: Portland Center Stage, American Shakespeare Center, Shotgun Players, Virginia Rep, Guthrie Theatre, Asolo Rep. When not stage managing, she teaches master classes and workshops in stage management at universities across Virginia
Alejo Vietti
Costume Design
Alejo Vietti Alley Theatre: 27 productions! New York: Broadway: Titanique, Smash, Allegiance, Beautiful: The Carole King Musical (West End, Japan, Australia, U.S. tour), Irving Berlin’s Holiday Inn. Works for Roundabout Theatre, Manhattan Theatre Club, Atlantic Theatre, Second Stage, Radio City Music Hall Rockettes, New Group, and more. Also, Disney’s Hunchback of Notre Dame (Japan, Germany and Austria), West Side Story World Tour. Recipient of the Lucille Lortel Award, Olivier Award and Drama Desk nominations. TDF/Irene Sharaff Young Master Award. @alejo_vietti_costume_design (IG).
Molly Wetzel
Dialect Coach
Molly Wetzel is an Assistant Professor of Voice and Speech at the University of Houston and teaches clients from around the world through her private business, “molly does dialects.” She’s a certified teacher of Knight-Thompson Speechwork. As an actor she has worked for theatres around Houston and the country including Utah Shakespeare Festival, Houston Shakespeare Festival, and Rec Room Arts.