Accessibility
Performance Type |
Performance Date(s) |
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 Captioned Performance |
Sunday, April 13, 2:00 PM
Best Seats: Section 5, Rows L-O |
 Audio Described Performance |
Sunday, April 13, 7:00 PM
This service can be accessed from any seat location upon checking out a headset device. |
 ASL Interpreted Performance |
Wednesday, April 30, 7:30 PM
Best Seats: Please select the indicated performance and use Promo Code ASLSEAT to gain access to the best seats to view ASL interpreters, or contact Guest Services at (713) 220-5700 or boxoffice@alleytheatre.org. |
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Ken Ludwig’s take on this classic Sherlock Holmes mystery contains instances of violence. Recommended for ages 10 and up. |
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Flashing lights, haze, fog, theatrical smoking, and gunshots will be used during the performance. |
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Before you attend the performance, the program provides cast bios, sponsor backgrounds, and further reading. Read More. |
The Chains of Regret: The Role of Marley
When it comes to A Christmas Carol, most people instantly think of Ebenezer Scrooge and his transformative journey. However, a character shapes Scrooge’s destiny – Jacob Marley.Continue reading→
Artistic Director’s Reflections on the Alley’s Production of A Christmas Carol
To create a new production of A Christmas Carol from scratch is a once-in-a-lifetime opportunity, and I am so honored to shape the Alley’s new adaptation of this beloved classic. We premiered this new version last year, staying faithful to Dickens’ wonderful language and filling the stage with traditional a cappella Christmas songs.Continue reading→
Dickensian Delights: The Historical Context of A Christmas Carol
In the bustling streets of Victorian London, Charles Dickens wrote his timeless tale, A Christmas Carol. Published in 1843, this novella is a holiday tradition for readers and theatre audiences alike.Continue reading→
Acclaimed Co-Translator on Chekhov and Little Comedies
I am pretty sure that Anton Chekhov never imagined an entire evening of five of his short plays, some which he subtitled ‘a joke’ or ‘a vaudeville.’ He did not write them to make up an evening.Continue reading→
MANIFESTING MARIACHI: HOW COLLABORATION MAKE PERFORMERS “MAGICALLY” APPEAR IN AMERICAN MARIACHI
When you enter the theatre to see our beautiful production of American Mariachi, you are met with a towering wall that evokes the billboards and neon signs of 1970s Houston. This wall has been an exciting challenge for the Alley’s Lighting Team. Throughout the show, the wall changes colors, and various signs light up to cinematically transport the audience from place to place.Continue reading→
Little Amal is coming to Houston!
Little Amal is coming to Houston! Lost in the streets of Downtown Houston, Amal hears the iconic sounds of mariachi bands playing in the distance. She turns every street corner, but just can’t seem to find the music… Continue reading→
Sounds of Chekhov: Insights from Tony Award-winning Little Comedies Sound Designer, Scott Lehrer
Very often the first question audiences have upon walking into a Richard Nelson production is, “what’s up with all those hanging microphones?”Continue reading→
CHARLES DICKENS’ ONE MAN SHOW
Dickens loved to perform his stories—so he created a special version of A Christmas Carol for exactly that purpose.Continue reading→
Resident Acting Company member Chris Hutchison on Anton Chekhov
Little Comedies, thanks to Richard’s trust in the actors, in the plays, and in you, our audience, is determined to give us both: A great show and a beautiful simplicity in performance, design and concept.Continue reading→
The Influence of 1970s Mexican-American Culture in Houston, Texas
The 1970s was a significant decade for Mexican-American culture in Houston. Houston was already deeply rooted in Hispanic heritage. The 1970s left a huge mark on Houston’s identity. The decade impacted music and art to activism and community organizing. This profoundly shaped the city’s cultural landscape. Continue reading→